Music Theory Category
Displaying posts in a specific category.
List Mode
Tue 18 December 2007
04:50pm
View Comments
I came across
this article today complete with audio examples, about a psychology science experiment devised by Jessica Phillips-Sliver and Laurel Trainor looking into whether movement itself (dance) may affect the way in which we perceive music and sounds.
I thought I would bring this little experiment to your attention not only because I thought it was rather interesting scientifically speaking, but because it also shows how accenting different specific beats within a rhythm can affect the overall sound of the drum rhythm. All three sound examples on that page have exactly the same rhythm just different beats are more pronounced than others. This is a technique that you can use in your own drum beats to give different feelings at different points in your composition.
Visit the article on Cognitive Daily
this article today complete with audio examples, about a psychology science experiment devised by Jessica Phillips-Sliver and Laurel Trainor looking into whether movement itself (dance) may affect the way in which we perceive music and sounds.I thought I would bring this little experiment to your attention not only because I thought it was rather interesting scientifically speaking, but because it also shows how accenting different specific beats within a rhythm can affect the overall sound of the drum rhythm. All three sound examples on that page have exactly the same rhythm just different beats are more pronounced than others. This is a technique that you can use in your own drum beats to give different feelings at different points in your composition.
Visit the article on Cognitive Daily
Sun 18 November 2007
06:16pm
View Comments
So far in this series of posts on the basics of sound we have talked about
sound and how it travels through the air and also
frequency and wavelength. In this part we are going to look at pitch and how it relates to frequency.
The Difference Between Pitch and Frequency
Pitch and frequency are very similar, but sometimes I hear people get very confused between the two. The main way of remembering the difference is to understand that frequency is the scientific way of specifying a sounds wavelength in hertz (the number of wavelengths per second) where as pitch is the musicians way of referring to a fundamental frequency (the main frequency of a sound) through the use of letters and symbols.
Standardized Pitch
Pitch can be set at any frequency we want, I could set for example the A above middle C to be 500Hz and as long as everyone else playing other instruments along with the music had also set their tuning to correspond to mine, it would make no difference apart from we would be all playing slightly higher in frequency. But to try and keep some standardization in the instrument market we have what’s called standardized pitch (set by the
International Organization for Standardization (ISO). In standardized pitch the A above middle C is set to the frequency of 440Hz (A440).
Octaves
From this A of 440Hz (A440) all the other notes around it can be tuned from this single note. Every octave higher is double the frequency of the previous octave. So the A one octave above the note of A440 will have a frequency of 880Hz (A880). The A one octave below A440 will have a frequency of 220Hz (A220). Even though the gap between our octaves of As is different in frequency, we still perceive the distance between them to be the same.
The Other Notes in the Chromatic Scale
The twelve note tuning on most modern western instruments is called the Chromatic Scale which is C C# D D# E F F# G G# A A# B and back to C to start again. These notes can all be worked out in frequency from our starting point of A (A440). Every pitch higher is our previous frequency times the twelfth root of two which equates to 1.0594630. So basically our A# (the next note above A on the chromatic scale) is going to be 440 X the twelfth root of two (1.594630.....) which is 466.16Hz. To work out the next note which would be B we just times that notes frequency by the same amount.
Hopefully from this quick guide you can see how pitch corresponds to frequency and how they are two different methods of showing the wavelength of a sound.
Article written by
Edward Cufaude for Rhythm Creation.
sound and how it travels through the air and also
frequency and wavelength. In this part we are going to look at pitch and how it relates to frequency.The Difference Between Pitch and Frequency
Pitch and frequency are very similar, but sometimes I hear people get very confused between the two. The main way of remembering the difference is to understand that frequency is the scientific way of specifying a sounds wavelength in hertz (the number of wavelengths per second) where as pitch is the musicians way of referring to a fundamental frequency (the main frequency of a sound) through the use of letters and symbols.
Standardized Pitch
Pitch can be set at any frequency we want, I could set for example the A above middle C to be 500Hz and as long as everyone else playing other instruments along with the music had also set their tuning to correspond to mine, it would make no difference apart from we would be all playing slightly higher in frequency. But to try and keep some standardization in the instrument market we have what’s called standardized pitch (set by the
International Organization for Standardization (ISO). In standardized pitch the A above middle C is set to the frequency of 440Hz (A440).Octaves
From this A of 440Hz (A440) all the other notes around it can be tuned from this single note. Every octave higher is double the frequency of the previous octave. So the A one octave above the note of A440 will have a frequency of 880Hz (A880). The A one octave below A440 will have a frequency of 220Hz (A220). Even though the gap between our octaves of As is different in frequency, we still perceive the distance between them to be the same.The Other Notes in the Chromatic Scale
The twelve note tuning on most modern western instruments is called the Chromatic Scale which is C C# D D# E F F# G G# A A# B and back to C to start again. These notes can all be worked out in frequency from our starting point of A (A440). Every pitch higher is our previous frequency times the twelfth root of two which equates to 1.0594630. So basically our A# (the next note above A on the chromatic scale) is going to be 440 X the twelfth root of two (1.594630.....) which is 466.16Hz. To work out the next note which would be B we just times that notes frequency by the same amount.
Hopefully from this quick guide you can see how pitch corresponds to frequency and how they are two different methods of showing the wavelength of a sound.
Article written by
Edward Cufaude for Rhythm Creation.
Home
Latest
Remix Contests






